Was that because you thought that was the way you could break in? Also was named Observer Book of the Year and a New York Times Book Review 100 Notable Books of the Year and Margaret Atwood chose it for The Guardians Best Books of 2014 list. 0000004937 00000 n I think my peers and I were always operating under the assumption that you should never complain about anything. What happened was when I was in Thelma & Louise, after Thelma & Louise came out, a lot of the press was talking about, this is going to change everything. This Changes Everything is a brilliant explanation of why the climate crisis challenges us to abandon the core free market ideology of our time, restructure the global economy, and remake our political systems. But thats what we were worried about. GEENA DAVIS, EXECUTIVE PRODUCER, THIS CHANGES EVERYTHING: Thank you. Brenda Chapman explains her thinking in conceiving Pixars Brave: I purposely went for a princess so I could throw the princess thing on its head. (But then the movie weirdly fails to follow up with the fact that Chapman was forced to share directing credit with Mark Andrews once Brave came out, rather than serving as the first woman to direct a Pixar feature.) DAVIS: Exactly. DONAHUE: Well, because they even if its unconscious, theyre still embarrassed and I think their legal departments also said, dont go on the record about this. A mere 15.6 percent of the Directors Guild of America membership is female. That so it was already a conversation that started to happen when I start developing the film with my producing partner. MARTIN: Why do you think that was the click moment for you? DAVIS: Well, I was astounded that it happened. MARTIN: Geena Davis, Tom Donahue, thank you so much for talking to us. Christy Lemire is a longtime film critic who has written for RogerEbert.com since 2013. All rights reserved. And it's a buddy movie. This is a rush transcript. And then the second thing were unions. Croatian And there is also no human resources department that these women can go to. And I'm like, oh, my God, no. JOHN LANDGRAF, HEAD, FX: I had this unconscious bias that we would have to be making sacrifices to hire people with less experience. Finnish Polish And the whole thing wraps up in rushed fashion with the Trump era ushering in a wave of womens marches and reigniting a spark of activism. Drawing on an impressive volume of research, Ms. Klein savages the idea that we will be saved by new technologies or by an incremental shift away from fossil fuels: Both approaches, she argues, are forms of denial . Forget everything you think you know about global warming. DAVIS: Well, I definitely see a big shift happening in Hollywood in the past couple of years since #MeToo and Time's Up. They could say, what was I doing? Runtime. MARTIN: Have you felt your career jeopardized by your unspokeness about this? this changes everything, I'm a little skeptical. This Changes Everythings choppy, frenetic approach to editing makes for an uneven rhetorical texture. By what name was This Changes Everything (2018) officially released in India in English? She's in Paris. Film schools are now half female. She braids together the science, psychology, geopolitics, economics, ethics and activism that shape the climate question. And I was kind of good at all of it. a scene from This Changes Everything, the documentary. This sudden change in how people reacted when they recognized me was very, very pronounced. MARTIN: So Geena, how do you stay in it though? Well, do they have any photos of her in a bathing suit? This documentary on climate change and its causes focuses largely on stories of human connection to the land, some who try to control the land, while others who see humans as temporary stewards of the land to pass to future generations. 0000003977 00000 n Told first-hand by some of Hollywoods leading voices behind and in front of the camera, THIS CHANGES EVERYTHING is the award-winning 2019 feature-length documentary that uncovers what is beneath one of the most confounding dilemmas in the entertainment industry the underrepresentation and misrepresentation of women. In 2014, the book won the Hilary Weston Writers Trust Prize for Nonfiction, Canadas most prestigious award for non-fiction. And they started to reach out to interview many, many women, as many women directors as they could. DAVIS: Well, it did in a way. So they were driven out of the unions. GROSS: Yeah. The books exploration of climate change from the perspective of how capitalism functions produces fresh insights and its examination of the interconnectedness between our relationship with nature and the creation of better, fairer societies presents a radical proposal. After feeling that she was shut out of directing because she's a woman, she became an activist. GROSS: So what was your strategy to try to open the door to more women directors? The musical score, composed by Leigh Roberts and Allison Piccioni, is way too prominent in the mix and by a massive distance much too reminiscent of old-school TV documentaries, underscoring every emotion with obvious musical cues. The New York Times Book Review called it The most momentous and contentious environmental book since Silent Spring.. Please forgive an old lady over here if I say I think Ive seen this one before and know how it ends. 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MARTIN: I think it was Maya Angelou who said you cant be what you cant see. 0000007957 00000 n We also heard from director Maria Giese, who's also featured in the film "This Changes Everything." Your first movie role, "Tootsie," you're in your underwear in the film. And I was sure they must be right and waiting for this fabulous future that was coming. GROSS: But you were with Sydney Pollack. UNIDENTIFIED FEMALE: I did. Its not going to benefit you. This Changes Everything (2019) Watch Now . Executive producers: Geena Davis, Regina K. Scully, Ku-ling Yurman, Madeline Di Nonno, Steve Edwards, Jennie Peters, Simone Pero, Patty Casby So what impact do you think it had both on audiences but also on Hollywood? The feature documentary, This Changes Everything, narrated by Naomi and directed by Avi Lewis,premiered at the 2015 Toronto International Film Festival, presented by Oscar Winning Director Alfonso Cuarn, and executive producers Seth Macfarlane, Shepard Fairey, and Danny Glover. UNIDENTIFIED FEMALE: I think they just dont like me. The credits mention that 75 percent of the crew working on the film was female, but it sort of seems like a no-brainer to have a woman direct the movie about the fact that women dont direct enough movies. UNIDENTIFIED FEMALE: I was very lucky because Greys Anatomy was developed under the network presence. The catastrophic effects of climate change are viewed through the lens of those in the US northeast coast who suffered through Hurricane Sandy. I could do that too. DAVIS: Well, the bigger part was the (laughter) - that Sydney liked my audition. So I had been very unathletic as a kid. So I did. And this is according to the Center for the Study of Women and Television and Film in San Diego State University. An investigative look and analysis of gender disparity in Hollywood, featuring accounts from well-known actors, executives and artists in the Industry. It was a small budget, and we hoped somebody would see it and not object to the ending. Told first-hand by some of Hollywood's leading voices behind and in front of the camera, THIS CHANGES EVERYTHING is the award-winning 2019 feature-length documentary that uncovers what is beneath one of the most confounding dilemmas in the entertainment industry - the underrepresentation and misrepresentation of women. And in May 2015, The New York Times published the ACLU's 15-page letter to the EEOC and to other government agencies, calling for an industry-wide federal investigation into systemic discrimination against women directors. - three years and seven months going. It takes an incisive look at the history, empirical evidence, and systemic forces that foster gender discrimination and thus reinforce disparity in our culture. Venue: Toronto International Film Festival (TIFF Docs) Catalan Swedish I felt very unhappy with having that sort of imposed on me by other people. And she documents the inspiring movements that have already begun this process: communities that are not just refusing to be sites of further fossil fuel extraction but are building the next, regeneration-based economies right now. Whats your first name? Yeah. And that, for me, became a battle worth fighting for. So there's no way for us to really know where the investigation is, even though it's now, oh - what? But I loved it. We were made to feel very dispensable. A look at seven communities around the world with the proposition that we can seize the crisis of climate change to transform our failed economic system into something radically better. Turkish Throughout the film, Klein builds to her most controversial and exciting idea: that we can seize the existential crisis of climate change to transform our failed economic system into something radically better. . DONAHUE: Sure. They've dispensed with the alarmist rhetoric surrounding the . I haven't really ever had to describe what it's about. As always, its a story eminently worth telling, especially for the benefit of younger generations whose exposure to feminism may have started with buying a ticket to Wonder Woman last year. The women have guns. GROSS: A battle with yourself to not battle with yourself. It was once there was a four in front of my age, and DAVIS: You know, I had heard about that for a long time, that people said that things change when you turn 40 or when you're in your 40s, but I didn't expect it to be literal. And I got the part. A new documentary explores how women in Hollywood are pushing for more representation in front of and behind the camera. After the release of This Changes Everything book and film, Naomi went on a sold out tour to speak to audiences worldwide. . She's got a handgun, pulls it on him, asks him to apologize. Well, get her back. Incidentally, both of these docs conspicuously have no interviews with several of the industrys best known and most lauded female directors, such as Kathryn Bigelow and Sofia Coppola, who have expressed the view, at least in Bigelows case, that they much prefer to be seen as simply directors, not as female directors.
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